In Goldfinger (1964), Sean Connery’s Bond wakes up airborne and in a tranquillizer dart-induced haze. I love how an out-of-focus woman’s face comes into focus as if the movie audience recovers from Bond’s point of view.
Pussy Galore’s named introduction still elicits a guffaw reaction in me even to this day, and I’d imagine a theater-going audience would have audibly laughed at Bond’s “I must be dreaming” quip. Short scenes and exchanges like this from early Bond movies stand the test of time and fans can only hope future Bond movies are filled with gems like these.
As Bond is surveilling the Ning Po freight liner, his cover is eventually blown and he attempts to escape a throng of henchmen. Although the music is a bit happy sounding for a chase scene, the sweeping camera angle of the rooftop chase gives great context to what Bond is up against and how unlikely an escape is, which turns out to be true. Kudos for the camera angle though. In the age of heavy editing and camera shakes, a steady shot like this during an otherwise tense scene is refreshing, even for a non-Bond movie.
Something about this seemingly innocuous scene (where James Bond meets Tiffany Case in Diamonds Are Forever (1971)) elevates its notoriety in my book. Maybe it’s the loungey, daydreamy, nap-inducing version of the DAF theme, or the way Bond questions endearingly “Weren’t you a blonde when I came in?” Something about it makes me love it. And the Van Cleef & Arpels quip…classic! 🙂
A “recovering” James Bond endearingly says this friendly quote after a session with his rehab aide Patricia Fearing. Although a playful, funny quip, Bond shows his nonchalance (and the 1960s misogyny he’s sometimes known for) after coaxing Fearing for a romp after her incompetence leaving 007 trapped and unaccompanied in the stretching rack machine.
