Check out this awesome illustration of all the Bonds from MAD Magazine illustrator Tom Richmond from 2011:
I love when we get a glimpse into how “to get” to a villain’s physical location. It’s one thing to hear a villain’s speech or sit in on a SPECTRE meeting scene, but a whole other bit of awesomeness to take into account setup location shots and see where you would actually find a world-class villain. Not necessarily in a hollowed-out volcano or some other stereotypical villainous “lair” that Bond laymen refer to, but as in the case here in From Russia With Love (1963), an unassuming, anchored luxury yacht (steamship?) off a beautiful coastal city.
In the scene, we see SPECTRE Number 5 Kronsteen summoned from his victorious chess match to this luxury liner to meet his faceless and heavily guarded boss, the movie’s villain and head of SPECTRE – Ernst Stavro Blofeld. Alongside Blofeld is the uncharacteristically nervous Rosa Klebb (Lotte Lenya) whose pointy shoes won’t help her out here. She’s chopped liver in this scene, and she knows it.
Blofeld’s boat in From Russia With Love (1963)
The faceless Blofeld is effective here, even though his fascination with the fighting fish is a bit disconcerting. He seems to have properly small-sized and compartmentalized tanks for betta fighting fish, but they look to be halfway filled and raise so man questions as to their maintenance and upkeep on the boat. (he likes these kinds of fish *that* much?
Klebb would agree to the oddity, and can only muster that his comparison of SPECTRE to a lurking fighting fish killing a weakened one was “amusing.” Blofeld is trying to say that SPECTRE as a whole “strikes” when they are most effective – regardless if it’s up against a weakened or oblivious opponent, it’s at the right time.
Russia‘s villain’s eccentricity is on display here a bit, but what I wouldn’t give to check out that awesome bar/lounge combo in that boat!
“Property of a Lady” is the name of the Fabergé egg in Octopussy (1983). It is also the third short story by Ian Fleming incorporated into the collection of short stories Octopussy and The Living Daylights. Moreover, it was also the working title for a rumored 1991 James Bond film starring Timothy Dalton, that eventually stalled indefinitely. Brosnan of course took over as 007 after that.
The Wikipedia page for the eggs is a great one to get lost in. 🙂
Kananga/Mr. Big (Yaphet Kotto) from Live And Let Die (1973) or Franz Sanchez (Robert Davi) from Licence To Kill (1989)?
The Draco/Bond raid of Piz Gloria at the end of On Her Majesty’s Secret Service (1969) is definitely a highlight of the movie. Lazenby’s Bond is dressed in a tactical navy jumpsuit in what many would say is his best outfit (no puffy shirts or kilts here) and the surprising use of the original Monty Norman James Bond theme sets the tone of the action sequence. Yes, you can enhance any James Bond movie scene by playing the original theme, but the addition of it here was a pleasant surprise and added just enough nostalgia to, in my opinion, truly cement George Lazenby as the character James Bond in his first and only appearance as 007.
Over the last 30 years, I’d also say that OHMSS has made the most stunning turnaround (at least for fans in my generation – I’m a late 90’s James Bond) in best-of lists – from a forgotten write-off of a James Bond movie to one of the most revered. It only gets better with each viewing.
Moore’s Bond at his most ruthless in For Your Eyes Only (1981).
