sean connery

Are you looking for shells?

In Dr. No (1962), James Bond (Sean Connery) and Honey Ryder’s (Ursula Andress) first interaction on the beach is classic. Aside from Bond’s less-than-stellar octave attempting a verse of “Underneath the mango tree,” the scene is near Bond movie perfection.

It’s often referenced by the quote of this post’s title, but I prefer the exchange just after: “I promise I won’t steal your shells.” “I promise you, you won’t either.” It shows Ryder’s strength at the outset, but we later see a soft side as well, like when she winces regret when Bond strangles a henchmen in the river and expresses horror at Quarrel’s death. The series couldn’t have started off with a better first James Bond girl!

Sean Connery as James Bond in Goldfinger

Why hello there…

Sean Connery as James Bond in Goldfinger

Goldfinger (1964) - You're very sweet

You’re very sweet

Quick little bridge/cut-scenes like this one from Goldfinger (1964) are always a treat.

Goldfinger (1964) - You're very sweet

Sean Connery as James Bond in Dr. No

You’ve had your six

Sean Connery as James Bond in Dr. No

Honor Blackman as Pussy Galore in Goldfinger (1964)

I must be dreaming

In Goldfinger (1964), Sean Connery’s Bond wakes up airborne and in a tranquillizer dart-induced haze. I love how an out-of-focus woman’s face comes into focus as if the movie audience recovers from Bond’s point of view.

Pussy Galore’s named introduction still elicits a guffaw reaction in me even to this day, and I’d imagine a theater-going audience would have audibly laughed at Bond’s “I must be dreaming” quip. Short scenes and exchanges like this from early Bond movies stand the test of time and fans can only hope future Bond movies are filled with gems like these.

Honor Blackman as Pussy Galore in Goldfinger (1964)

Ning Po chase

As Bond is surveilling the Ning Po freight liner, his cover is eventually blown and he attempts to escape a throng of henchmen. Although the music is a bit happy sounding for a chase scene, the sweeping camera angle of the rooftop chase gives great context to what Bond is up against and how unlikely an escape is, which turns out to be true. Kudos for the camera angle though. In the age of heavy editing and camera shakes, a steady shot like this during an otherwise tense scene is refreshing, even for a non-Bond movie.

You Only Live Twice (1967) - Ning Po chase

The Lineup

gunbarrel

For your eyes only

Must have been fun on-set…

Weren’t you a blonde when I came in?

Something about this seemingly innocuous scene (where James Bond meets Tiffany Case in Diamonds Are Forever (1971)) elevates its notoriety in my book. Maybe it’s the loungey, daydreamy, nap-inducing version of the DAF theme, or the way Bond questions endearingly “Weren’t you a blonde when I came in?” Something about it makes me love it. And the Van Cleef & Arpels quip…classic! 🙂

Diamonds Are Forever (1971) - Weren't you a blonde when I came in?

See you later, alligator

A “recovering” James Bond endearingly says this friendly quote after a session with his rehab aide Patricia Fearing. Although a playful, funny quip, Bond shows his nonchalance (and the 1960s misogyny he’s sometimes known for) after coaxing Fearing for a romp after her incompetence leaving 007 trapped and unaccompanied in the stretching rack machine.

Thunderball (1965) - See you later, alligator