Zoomed in, cropped and rotated:
WTF…haha.
At the start of For Your Eyes Only (1981), we see James Bond (Roger Moore) visit the grave of his late wife, Teresa Bond:
The inscription reads:
TERESA BOND
1943 – 1969
Beloved wife of
JAMES BONDWe have all the
time in the World
Although I like the fact that they finally acknowledged the death of Bond’s wife, it’s puzzling that it took a full 12 years (an entire six Bond movies) since On Her Majesty’s Secret Service (1969) when she was murdered, to do so. Surely such a traumatic death would have affected Bond greatly, and I’d say Diamonds Are Forever (1971) (the follow-up to OHMSS) is flawed at the outset for at least not referencing it while Bond traipse around Las Vegas.
Maybe they decided to put it on the backburner because it’s obviously a sad event, and nobody wants to be sad watching a James Bond movie (ahem, NTTD). Or maybe the death was such a big event in the series they decided to avoid acknowledging (or forgot?) it until a lot of time had passed…was this Bond’s first visit to the grave?
Kind of a missed opportunity in my eyes, regardless. They could’ve worked a graveside visit later into the movie (who wants to see Bond graveside visit in a movie’s opening sequence anyway? ahem, again, NTTD!) or weaved it into a joint revenge plot with Melina Havelock’s revenge of her parents’ death. All in all, I’m glad they made the reference to Tracy’s death but the method could’ve been better. And a pity it was rather forgotten after this scene until NTTD really.
There isn’t a more brutal James Bond villain than Franz Sanchez (Robert Davi) from Licence To Kill (1989). In this scene alone, Sanchez shows his true self: a murderer, torturer and abuser.
Unlike other Bond villains, Sanchez is intimately involved in the cruel ways he shows his power. He doesn’t sit on a throne and stroking a white cat or avoid conflict by pushing a button in an escape pod. No – without hesitation, Sanchez orders a murder and tortures a defenseless woman.
Lupe’s somber “por favor, Franz” and the unsettlingly compliant way she bows to him for punishment is just awful and an obviously regular occurrence. And it’s telling that Sanchez comes with the small whip on his person – he knew Lupe’s fate before listening to any explanation.
Although disturbing, it’s scenes like this that define a Bond villain. It distinguishes Sanchez’s darker persona from other villains that take a more hands-off approach to evil.

Franz Sanchez (Robert Davi) in Licence To Kill (1989)