In Goldfinger (1964), Sean Connery’s Bond wakes up airborne and in a tranquillizer dart-induced haze. I love how an out-of-focus woman’s face comes into focus as if the movie audience recovers from Bond’s point of view.
Pussy Galore’s named introduction still elicits a guffaw reaction in me even to this day, and I’d imagine a theater-going audience would have audibly laughed at Bond’s “I must be dreaming” quip. Short scenes and exchanges like this from early Bond movies stand the test of time and fans can only hope future Bond movies are filled with gems like these.
It’s surprising to see James Bond (Sean Connery) show some level-headedness in Goldfinger (1964) when Tilly Masterson (Tania Mallet) honks and aggressively passes him on the roadway. Just as 007 is about to floor it and throw into high gear, his better angels overcome the temptation and he keeps his focus on the task at hand: tracking Goldfinger. It’s a rare occurrence to see Bond show such restraint, and refer to himself as 007 in the third person, for that matter.
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Despite its fragmented/choppy editing (and maybe the overdone shuffling shoe noises), the final countdown scene in Goldfinger (1964) is great. The anxiety buildup as the clock winds down is palpable, and every time I watch I’m invested in Connery’s fate.
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